Agenda 22 - 28 Juni 2014
Zondag 22 Juni
A Nomad’s Harvest - a retrospective of photographs by George Hallett
Aspects of a career spanning more than half a century. The works on show are from the collection of George Hallett and augmented by a comprehensive display of biographical information, as well as, book and record covers designed by Hallett. Included on this exhibition, amongst others, are recognisable images of Hout Bay, District Six, the Bo-Kaap, as well as immigrants and gypsies in London. His series of portraits of exiled South African writers, artists and musicians in London and France are of special interest.
African Masterpieces - The Story of the Kingdom of Ife
The first exhibition to focus on the art of Ife, an ancient city in modern day Nigeria. The artists of Ife made sculptures from metal, stone and terracotta that have placed the region on the map in terms of world art history. The exhibition displays some of the world's most sophisticated historical art works – more than 100 sculptures of metal, stone and terracotta from the 12th to 16th centuries tell the story of the African civilisation of Ife, ancestors of the Yoruba, one of the largest ethnic groups of modern day Nigeria. The exhibition has previously been on view in the USA, Great Britain and Spain.
Dichter bij Afrika - expo
In september 2013 ging Kwasa Kwasa vzw van start met een poëtisch project “Dichter bij Afrika”. Kwasa Kwasa vroeg dichters uit verschillende regio’s (Malawi, Gent, Vlaanderen en andere Afrikaanse landen) om een gedicht te schrijven over hun relatie met Afrika en/of Noord-Zuidrelaties en/of Malawi. Via poëzie willen we mensen dichter bij Afrika brengen of bij een bepaald aspect van een Afrikaans land of een bepaalde culturele gewoonte uit dat Afrikaans land. De gedichten worden tussen 28 mei en 25 juni op originele wijze gepresenteerd in het café van De Centrale.
Embodied Reflections - photographs by African artists
Fotografie heeft zich in de afgelopen decennia in Afrika tot een krachtig medium ontwikkeld. Een steeds grotere goep jonge fotografen gebruikt de camera voor het tonen van sterk ontwikkelde visies op het continent die ver voorbijgaan aan de stereotype beeldvorming van culturen en koloniale verhalen. De mondiale belangstelling voor de snelle ontwikkeling van deze vorm van fotografie is groot. Met plezier laat Sanaa een overzicht zien van (recent) fotowerk van zes Afrikaanse kunstenaars: Myriam Mihindou, Michael Tsegaye, Anannias Leki Dago, Uche Okpa Iroha, Leonce Raphael Agbodjelou, Mario Macilau.
Mufuki - Solo Exhibition
Mufuki Mukuna studied monumental painting at the Royal Academy of Fine Arts in Brussels. His work concentrates on exploring relentlessly the boundaries of figurative painting. In each of his paintings, Mufuki invites us to witness clashes, changes of life or attitudes boiled down to simply "human behaviour" with dark shades or a night time feel inspired by Motion Pictures, urban environments, Occidental or African elements. An abundance of images that highlight the loneliness human beings are often subjet to. A spiritual, raw and lively approach to painting, sometimes painful or even fascinating.
The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists
On three floors, one each devoted to heaven, hell and purgatory, works of over 50 artists from all over Africa in a variety of media are presented: paintings, photographs, sculptures, videos, installations and performances. Against the background of the many Africa-related exhibitions of the past years, the MMK perceives the need to investigate the significance of African art not only in the post-colonial context but also with regard to aesthetics. The exhibition concept transports the universal issues of the Divine Comedy, an incunable of European literature, into the present and places them in a transnational contemporary context.
The Needle and the Damage Done - prints by Diane Victor
For Diane Victor, making art ‘provides a way of working through troublesome images that lodge themselves persistently in her memory.’ The process is cathartic. The visual equivalent of psychoanalytic ‘talking cure’, Victor draws her subject matter from far and wide, pulling information from the media and personal encounters, transforming them into rich and heavily populated compositions, full-blown narratives employing her grotesque and characteristic iconography. In this exhibition, one sees Victor still pre-occupied with ‘the big “catholic” sins – greed, lust, envy and excess.
Vrouwen van het water - foto's van Angèle Etoundi Essamba
In deze tentoonstelling nemen we u mee naar Ganvié, een vissersdorp aan de zuidkust van het West-Afrikaanse land Benin. Kenmerkend voor het dorp zijn de woningen op palen, zwevend boven het water van een lagune, het meer van Nokoué. Fotografe Angèle Etoundi Essamba (Cameroun) bezocht Ganvié de afgelopen jaren meerdere keren, ging in gesprek met de vrouwen en volgde hen in het ritme van hun dagelijks leven, waarin water zo’n cruciale rol speelt. Want terwijl de bewoners, de Toffinou, volledig omringd worden door water, is drinkwater schaars. De vrouwen spelen een belangrijke rol in het watermanagement, beheren de grote vaten met drinkwater en zijn uiterst zuinig in het gebruik ervan.
World Presss Photo
Start van de lange wereldtour van de internationale persfotowedstrijd. Ruim 150 indrukwekkende persfoto’s van 53 prijswinnaars, in negen categorieën. De bezoeker maakt in de kerk een fotografische wereldreis door alle continenten en langs de meest uiteenlopende thema’s en historische gebeurtenissen uit 2013. De jaarwinnaar is John Stanmeyer, USA, met zijn foto Signal, gemaakt voor National Geographic. Dit mystieke beeld toont hoe Afrikaanse migranten op een strand bij de stad Djibouti met hun telefoons trachten signaal op te vangen uit buurland Somalië. Ook andere foto's met Afrikaanse onderwerpen zijn in de prijzen gevallen.
Maandag 23 Juni
A Nomad’s Harvest - a retrospective of photographs by George Hallett
Aspects of a career spanning more than half a century. The works on show are from the collection of George Hallett and augmented by a comprehensive display of biographical information, as well as, book and record covers designed by Hallett. Included on this exhibition, amongst others, are recognisable images of Hout Bay, District Six, the Bo-Kaap, as well as immigrants and gypsies in London. His series of portraits of exiled South African writers, artists and musicians in London and France are of special interest.
African Masterpieces - The Story of the Kingdom of Ife
The first exhibition to focus on the art of Ife, an ancient city in modern day Nigeria. The artists of Ife made sculptures from metal, stone and terracotta that have placed the region on the map in terms of world art history. The exhibition displays some of the world's most sophisticated historical art works – more than 100 sculptures of metal, stone and terracotta from the 12th to 16th centuries tell the story of the African civilisation of Ife, ancestors of the Yoruba, one of the largest ethnic groups of modern day Nigeria. The exhibition has previously been on view in the USA, Great Britain and Spain.
Dichter bij Afrika - expo
In september 2013 ging Kwasa Kwasa vzw van start met een poëtisch project “Dichter bij Afrika”. Kwasa Kwasa vroeg dichters uit verschillende regio’s (Malawi, Gent, Vlaanderen en andere Afrikaanse landen) om een gedicht te schrijven over hun relatie met Afrika en/of Noord-Zuidrelaties en/of Malawi. Via poëzie willen we mensen dichter bij Afrika brengen of bij een bepaald aspect van een Afrikaans land of een bepaalde culturele gewoonte uit dat Afrikaans land. De gedichten worden tussen 28 mei en 25 juni op originele wijze gepresenteerd in het café van De Centrale.
Embodied Reflections - photographs by African artists
Fotografie heeft zich in de afgelopen decennia in Afrika tot een krachtig medium ontwikkeld. Een steeds grotere goep jonge fotografen gebruikt de camera voor het tonen van sterk ontwikkelde visies op het continent die ver voorbijgaan aan de stereotype beeldvorming van culturen en koloniale verhalen. De mondiale belangstelling voor de snelle ontwikkeling van deze vorm van fotografie is groot. Met plezier laat Sanaa een overzicht zien van (recent) fotowerk van zes Afrikaanse kunstenaars: Myriam Mihindou, Michael Tsegaye, Anannias Leki Dago, Uche Okpa Iroha, Leonce Raphael Agbodjelou, Mario Macilau.
Mufuki - Solo Exhibition
Mufuki Mukuna studied monumental painting at the Royal Academy of Fine Arts in Brussels. His work concentrates on exploring relentlessly the boundaries of figurative painting. In each of his paintings, Mufuki invites us to witness clashes, changes of life or attitudes boiled down to simply "human behaviour" with dark shades or a night time feel inspired by Motion Pictures, urban environments, Occidental or African elements. An abundance of images that highlight the loneliness human beings are often subjet to. A spiritual, raw and lively approach to painting, sometimes painful or even fascinating.
The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists
On three floors, one each devoted to heaven, hell and purgatory, works of over 50 artists from all over Africa in a variety of media are presented: paintings, photographs, sculptures, videos, installations and performances. Against the background of the many Africa-related exhibitions of the past years, the MMK perceives the need to investigate the significance of African art not only in the post-colonial context but also with regard to aesthetics. The exhibition concept transports the universal issues of the Divine Comedy, an incunable of European literature, into the present and places them in a transnational contemporary context.
The Needle and the Damage Done - prints by Diane Victor
For Diane Victor, making art ‘provides a way of working through troublesome images that lodge themselves persistently in her memory.’ The process is cathartic. The visual equivalent of psychoanalytic ‘talking cure’, Victor draws her subject matter from far and wide, pulling information from the media and personal encounters, transforming them into rich and heavily populated compositions, full-blown narratives employing her grotesque and characteristic iconography. In this exhibition, one sees Victor still pre-occupied with ‘the big “catholic” sins – greed, lust, envy and excess.
Vrouwen van het water - foto's van Angèle Etoundi Essamba
In deze tentoonstelling nemen we u mee naar Ganvié, een vissersdorp aan de zuidkust van het West-Afrikaanse land Benin. Kenmerkend voor het dorp zijn de woningen op palen, zwevend boven het water van een lagune, het meer van Nokoué. Fotografe Angèle Etoundi Essamba (Cameroun) bezocht Ganvié de afgelopen jaren meerdere keren, ging in gesprek met de vrouwen en volgde hen in het ritme van hun dagelijks leven, waarin water zo’n cruciale rol speelt. Want terwijl de bewoners, de Toffinou, volledig omringd worden door water, is drinkwater schaars. De vrouwen spelen een belangrijke rol in het watermanagement, beheren de grote vaten met drinkwater en zijn uiterst zuinig in het gebruik ervan.
Dinsdag 24 Juni
A Nomad’s Harvest - a retrospective of photographs by George Hallett
Aspects of a career spanning more than half a century. The works on show are from the collection of George Hallett and augmented by a comprehensive display of biographical information, as well as, book and record covers designed by Hallett. Included on this exhibition, amongst others, are recognisable images of Hout Bay, District Six, the Bo-Kaap, as well as immigrants and gypsies in London. His series of portraits of exiled South African writers, artists and musicians in London and France are of special interest.
African Masterpieces - The Story of the Kingdom of Ife
The first exhibition to focus on the art of Ife, an ancient city in modern day Nigeria. The artists of Ife made sculptures from metal, stone and terracotta that have placed the region on the map in terms of world art history. The exhibition displays some of the world's most sophisticated historical art works – more than 100 sculptures of metal, stone and terracotta from the 12th to 16th centuries tell the story of the African civilisation of Ife, ancestors of the Yoruba, one of the largest ethnic groups of modern day Nigeria. The exhibition has previously been on view in the USA, Great Britain and Spain.
Dichter bij Afrika - expo
In september 2013 ging Kwasa Kwasa vzw van start met een poëtisch project “Dichter bij Afrika”. Kwasa Kwasa vroeg dichters uit verschillende regio’s (Malawi, Gent, Vlaanderen en andere Afrikaanse landen) om een gedicht te schrijven over hun relatie met Afrika en/of Noord-Zuidrelaties en/of Malawi. Via poëzie willen we mensen dichter bij Afrika brengen of bij een bepaald aspect van een Afrikaans land of een bepaalde culturele gewoonte uit dat Afrikaans land. De gedichten worden tussen 28 mei en 25 juni op originele wijze gepresenteerd in het café van De Centrale.
Embodied Reflections - photographs by African artists
Fotografie heeft zich in de afgelopen decennia in Afrika tot een krachtig medium ontwikkeld. Een steeds grotere goep jonge fotografen gebruikt de camera voor het tonen van sterk ontwikkelde visies op het continent die ver voorbijgaan aan de stereotype beeldvorming van culturen en koloniale verhalen. De mondiale belangstelling voor de snelle ontwikkeling van deze vorm van fotografie is groot. Met plezier laat Sanaa een overzicht zien van (recent) fotowerk van zes Afrikaanse kunstenaars: Myriam Mihindou, Michael Tsegaye, Anannias Leki Dago, Uche Okpa Iroha, Leonce Raphael Agbodjelou, Mario Macilau.
Mufuki - Solo Exhibition
Mufuki Mukuna studied monumental painting at the Royal Academy of Fine Arts in Brussels. His work concentrates on exploring relentlessly the boundaries of figurative painting. In each of his paintings, Mufuki invites us to witness clashes, changes of life or attitudes boiled down to simply "human behaviour" with dark shades or a night time feel inspired by Motion Pictures, urban environments, Occidental or African elements. An abundance of images that highlight the loneliness human beings are often subjet to. A spiritual, raw and lively approach to painting, sometimes painful or even fascinating.
The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists
On three floors, one each devoted to heaven, hell and purgatory, works of over 50 artists from all over Africa in a variety of media are presented: paintings, photographs, sculptures, videos, installations and performances. Against the background of the many Africa-related exhibitions of the past years, the MMK perceives the need to investigate the significance of African art not only in the post-colonial context but also with regard to aesthetics. The exhibition concept transports the universal issues of the Divine Comedy, an incunable of European literature, into the present and places them in a transnational contemporary context.
The Needle and the Damage Done - prints by Diane Victor
For Diane Victor, making art ‘provides a way of working through troublesome images that lodge themselves persistently in her memory.’ The process is cathartic. The visual equivalent of psychoanalytic ‘talking cure’, Victor draws her subject matter from far and wide, pulling information from the media and personal encounters, transforming them into rich and heavily populated compositions, full-blown narratives employing her grotesque and characteristic iconography. In this exhibition, one sees Victor still pre-occupied with ‘the big “catholic” sins – greed, lust, envy and excess.
Vrouwen van het water - foto's van Angèle Etoundi Essamba
In deze tentoonstelling nemen we u mee naar Ganvié, een vissersdorp aan de zuidkust van het West-Afrikaanse land Benin. Kenmerkend voor het dorp zijn de woningen op palen, zwevend boven het water van een lagune, het meer van Nokoué. Fotografe Angèle Etoundi Essamba (Cameroun) bezocht Ganvié de afgelopen jaren meerdere keren, ging in gesprek met de vrouwen en volgde hen in het ritme van hun dagelijks leven, waarin water zo’n cruciale rol speelt. Want terwijl de bewoners, de Toffinou, volledig omringd worden door water, is drinkwater schaars. De vrouwen spelen een belangrijke rol in het watermanagement, beheren de grote vaten met drinkwater en zijn uiterst zuinig in het gebruik ervan.
Woensdag 25 Juni
A Nomad’s Harvest - a retrospective of photographs by George Hallett
Aspects of a career spanning more than half a century. The works on show are from the collection of George Hallett and augmented by a comprehensive display of biographical information, as well as, book and record covers designed by Hallett. Included on this exhibition, amongst others, are recognisable images of Hout Bay, District Six, the Bo-Kaap, as well as immigrants and gypsies in London. His series of portraits of exiled South African writers, artists and musicians in London and France are of special interest.
African Masterpieces - The Story of the Kingdom of Ife
The first exhibition to focus on the art of Ife, an ancient city in modern day Nigeria. The artists of Ife made sculptures from metal, stone and terracotta that have placed the region on the map in terms of world art history. The exhibition displays some of the world's most sophisticated historical art works – more than 100 sculptures of metal, stone and terracotta from the 12th to 16th centuries tell the story of the African civilisation of Ife, ancestors of the Yoruba, one of the largest ethnic groups of modern day Nigeria. The exhibition has previously been on view in the USA, Great Britain and Spain.
Dichter bij Afrika - expo
In september 2013 ging Kwasa Kwasa vzw van start met een poëtisch project “Dichter bij Afrika”. Kwasa Kwasa vroeg dichters uit verschillende regio’s (Malawi, Gent, Vlaanderen en andere Afrikaanse landen) om een gedicht te schrijven over hun relatie met Afrika en/of Noord-Zuidrelaties en/of Malawi. Via poëzie willen we mensen dichter bij Afrika brengen of bij een bepaald aspect van een Afrikaans land of een bepaalde culturele gewoonte uit dat Afrikaans land. De gedichten worden tussen 28 mei en 25 juni op originele wijze gepresenteerd in het café van De Centrale.
Embodied Reflections - photographs by African artists
Fotografie heeft zich in de afgelopen decennia in Afrika tot een krachtig medium ontwikkeld. Een steeds grotere goep jonge fotografen gebruikt de camera voor het tonen van sterk ontwikkelde visies op het continent die ver voorbijgaan aan de stereotype beeldvorming van culturen en koloniale verhalen. De mondiale belangstelling voor de snelle ontwikkeling van deze vorm van fotografie is groot. Met plezier laat Sanaa een overzicht zien van (recent) fotowerk van zes Afrikaanse kunstenaars: Myriam Mihindou, Michael Tsegaye, Anannias Leki Dago, Uche Okpa Iroha, Leonce Raphael Agbodjelou, Mario Macilau.
Mufuki - Solo Exhibition
Mufuki Mukuna studied monumental painting at the Royal Academy of Fine Arts in Brussels. His work concentrates on exploring relentlessly the boundaries of figurative painting. In each of his paintings, Mufuki invites us to witness clashes, changes of life or attitudes boiled down to simply "human behaviour" with dark shades or a night time feel inspired by Motion Pictures, urban environments, Occidental or African elements. An abundance of images that highlight the loneliness human beings are often subjet to. A spiritual, raw and lively approach to painting, sometimes painful or even fascinating.
The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists
On three floors, one each devoted to heaven, hell and purgatory, works of over 50 artists from all over Africa in a variety of media are presented: paintings, photographs, sculptures, videos, installations and performances. Against the background of the many Africa-related exhibitions of the past years, the MMK perceives the need to investigate the significance of African art not only in the post-colonial context but also with regard to aesthetics. The exhibition concept transports the universal issues of the Divine Comedy, an incunable of European literature, into the present and places them in a transnational contemporary context.
The Needle and the Damage Done - prints by Diane Victor
For Diane Victor, making art ‘provides a way of working through troublesome images that lodge themselves persistently in her memory.’ The process is cathartic. The visual equivalent of psychoanalytic ‘talking cure’, Victor draws her subject matter from far and wide, pulling information from the media and personal encounters, transforming them into rich and heavily populated compositions, full-blown narratives employing her grotesque and characteristic iconography. In this exhibition, one sees Victor still pre-occupied with ‘the big “catholic” sins – greed, lust, envy and excess.
Vrouwen van het water - foto's van Angèle Etoundi Essamba
In deze tentoonstelling nemen we u mee naar Ganvié, een vissersdorp aan de zuidkust van het West-Afrikaanse land Benin. Kenmerkend voor het dorp zijn de woningen op palen, zwevend boven het water van een lagune, het meer van Nokoué. Fotografe Angèle Etoundi Essamba (Cameroun) bezocht Ganvié de afgelopen jaren meerdere keren, ging in gesprek met de vrouwen en volgde hen in het ritme van hun dagelijks leven, waarin water zo’n cruciale rol speelt. Want terwijl de bewoners, de Toffinou, volledig omringd worden door water, is drinkwater schaars. De vrouwen spelen een belangrijke rol in het watermanagement, beheren de grote vaten met drinkwater en zijn uiterst zuinig in het gebruik ervan.
Donderdag 26 Juni
A Nomad’s Harvest - a retrospective of photographs by George Hallett
Aspects of a career spanning more than half a century. The works on show are from the collection of George Hallett and augmented by a comprehensive display of biographical information, as well as, book and record covers designed by Hallett. Included on this exhibition, amongst others, are recognisable images of Hout Bay, District Six, the Bo-Kaap, as well as immigrants and gypsies in London. His series of portraits of exiled South African writers, artists and musicians in London and France are of special interest.
African Masterpieces - The Story of the Kingdom of Ife
The first exhibition to focus on the art of Ife, an ancient city in modern day Nigeria. The artists of Ife made sculptures from metal, stone and terracotta that have placed the region on the map in terms of world art history. The exhibition displays some of the world's most sophisticated historical art works – more than 100 sculptures of metal, stone and terracotta from the 12th to 16th centuries tell the story of the African civilisation of Ife, ancestors of the Yoruba, one of the largest ethnic groups of modern day Nigeria. The exhibition has previously been on view in the USA, Great Britain and Spain.
Embodied Reflections - photographs by African artists
Fotografie heeft zich in de afgelopen decennia in Afrika tot een krachtig medium ontwikkeld. Een steeds grotere goep jonge fotografen gebruikt de camera voor het tonen van sterk ontwikkelde visies op het continent die ver voorbijgaan aan de stereotype beeldvorming van culturen en koloniale verhalen. De mondiale belangstelling voor de snelle ontwikkeling van deze vorm van fotografie is groot. Met plezier laat Sanaa een overzicht zien van (recent) fotowerk van zes Afrikaanse kunstenaars: Myriam Mihindou, Michael Tsegaye, Anannias Leki Dago, Uche Okpa Iroha, Leonce Raphael Agbodjelou, Mario Macilau.
Mufuki - Solo Exhibition
Mufuki Mukuna studied monumental painting at the Royal Academy of Fine Arts in Brussels. His work concentrates on exploring relentlessly the boundaries of figurative painting. In each of his paintings, Mufuki invites us to witness clashes, changes of life or attitudes boiled down to simply "human behaviour" with dark shades or a night time feel inspired by Motion Pictures, urban environments, Occidental or African elements. An abundance of images that highlight the loneliness human beings are often subjet to. A spiritual, raw and lively approach to painting, sometimes painful or even fascinating.
The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists
On three floors, one each devoted to heaven, hell and purgatory, works of over 50 artists from all over Africa in a variety of media are presented: paintings, photographs, sculptures, videos, installations and performances. Against the background of the many Africa-related exhibitions of the past years, the MMK perceives the need to investigate the significance of African art not only in the post-colonial context but also with regard to aesthetics. The exhibition concept transports the universal issues of the Divine Comedy, an incunable of European literature, into the present and places them in a transnational contemporary context.
The Needle and the Damage Done - prints by Diane Victor
For Diane Victor, making art ‘provides a way of working through troublesome images that lodge themselves persistently in her memory.’ The process is cathartic. The visual equivalent of psychoanalytic ‘talking cure’, Victor draws her subject matter from far and wide, pulling information from the media and personal encounters, transforming them into rich and heavily populated compositions, full-blown narratives employing her grotesque and characteristic iconography. In this exhibition, one sees Victor still pre-occupied with ‘the big “catholic” sins – greed, lust, envy and excess.
Vrouwen van het water - foto's van Angèle Etoundi Essamba
In deze tentoonstelling nemen we u mee naar Ganvié, een vissersdorp aan de zuidkust van het West-Afrikaanse land Benin. Kenmerkend voor het dorp zijn de woningen op palen, zwevend boven het water van een lagune, het meer van Nokoué. Fotografe Angèle Etoundi Essamba (Cameroun) bezocht Ganvié de afgelopen jaren meerdere keren, ging in gesprek met de vrouwen en volgde hen in het ritme van hun dagelijks leven, waarin water zo’n cruciale rol speelt. Want terwijl de bewoners, de Toffinou, volledig omringd worden door water, is drinkwater schaars. De vrouwen spelen een belangrijke rol in het watermanagement, beheren de grote vaten met drinkwater en zijn uiterst zuinig in het gebruik ervan.
Vrijdag 27 Juni
A Nomad’s Harvest - a retrospective of photographs by George Hallett
Aspects of a career spanning more than half a century. The works on show are from the collection of George Hallett and augmented by a comprehensive display of biographical information, as well as, book and record covers designed by Hallett. Included on this exhibition, amongst others, are recognisable images of Hout Bay, District Six, the Bo-Kaap, as well as immigrants and gypsies in London. His series of portraits of exiled South African writers, artists and musicians in London and France are of special interest.
African Masterpieces - The Story of the Kingdom of Ife
The first exhibition to focus on the art of Ife, an ancient city in modern day Nigeria. The artists of Ife made sculptures from metal, stone and terracotta that have placed the region on the map in terms of world art history. The exhibition displays some of the world's most sophisticated historical art works – more than 100 sculptures of metal, stone and terracotta from the 12th to 16th centuries tell the story of the African civilisation of Ife, ancestors of the Yoruba, one of the largest ethnic groups of modern day Nigeria. The exhibition has previously been on view in the USA, Great Britain and Spain.
Embodied Reflections - photographs by African artists
Fotografie heeft zich in de afgelopen decennia in Afrika tot een krachtig medium ontwikkeld. Een steeds grotere goep jonge fotografen gebruikt de camera voor het tonen van sterk ontwikkelde visies op het continent die ver voorbijgaan aan de stereotype beeldvorming van culturen en koloniale verhalen. De mondiale belangstelling voor de snelle ontwikkeling van deze vorm van fotografie is groot. Met plezier laat Sanaa een overzicht zien van (recent) fotowerk van zes Afrikaanse kunstenaars: Myriam Mihindou, Michael Tsegaye, Anannias Leki Dago, Uche Okpa Iroha, Leonce Raphael Agbodjelou, Mario Macilau.
Mufuki - Solo Exhibition
Mufuki Mukuna studied monumental painting at the Royal Academy of Fine Arts in Brussels. His work concentrates on exploring relentlessly the boundaries of figurative painting. In each of his paintings, Mufuki invites us to witness clashes, changes of life or attitudes boiled down to simply "human behaviour" with dark shades or a night time feel inspired by Motion Pictures, urban environments, Occidental or African elements. An abundance of images that highlight the loneliness human beings are often subjet to. A spiritual, raw and lively approach to painting, sometimes painful or even fascinating.
The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists
On three floors, one each devoted to heaven, hell and purgatory, works of over 50 artists from all over Africa in a variety of media are presented: paintings, photographs, sculptures, videos, installations and performances. Against the background of the many Africa-related exhibitions of the past years, the MMK perceives the need to investigate the significance of African art not only in the post-colonial context but also with regard to aesthetics. The exhibition concept transports the universal issues of the Divine Comedy, an incunable of European literature, into the present and places them in a transnational contemporary context.
The Needle and the Damage Done - prints by Diane Victor
For Diane Victor, making art ‘provides a way of working through troublesome images that lodge themselves persistently in her memory.’ The process is cathartic. The visual equivalent of psychoanalytic ‘talking cure’, Victor draws her subject matter from far and wide, pulling information from the media and personal encounters, transforming them into rich and heavily populated compositions, full-blown narratives employing her grotesque and characteristic iconography. In this exhibition, one sees Victor still pre-occupied with ‘the big “catholic” sins – greed, lust, envy and excess.
Vrouwen van het water - foto's van Angèle Etoundi Essamba
In deze tentoonstelling nemen we u mee naar Ganvié, een vissersdorp aan de zuidkust van het West-Afrikaanse land Benin. Kenmerkend voor het dorp zijn de woningen op palen, zwevend boven het water van een lagune, het meer van Nokoué. Fotografe Angèle Etoundi Essamba (Cameroun) bezocht Ganvié de afgelopen jaren meerdere keren, ging in gesprek met de vrouwen en volgde hen in het ritme van hun dagelijks leven, waarin water zo’n cruciale rol speelt. Want terwijl de bewoners, de Toffinou, volledig omringd worden door water, is drinkwater schaars. De vrouwen spelen een belangrijke rol in het watermanagement, beheren de grote vaten met drinkwater en zijn uiterst zuinig in het gebruik ervan.
Zaterdag 28 Juni
A Nomad’s Harvest - a retrospective of photographs by George Hallett
Aspects of a career spanning more than half a century. The works on show are from the collection of George Hallett and augmented by a comprehensive display of biographical information, as well as, book and record covers designed by Hallett. Included on this exhibition, amongst others, are recognisable images of Hout Bay, District Six, the Bo-Kaap, as well as immigrants and gypsies in London. His series of portraits of exiled South African writers, artists and musicians in London and France are of special interest.
African Masterpieces - The Story of the Kingdom of Ife
The first exhibition to focus on the art of Ife, an ancient city in modern day Nigeria. The artists of Ife made sculptures from metal, stone and terracotta that have placed the region on the map in terms of world art history. The exhibition displays some of the world's most sophisticated historical art works – more than 100 sculptures of metal, stone and terracotta from the 12th to 16th centuries tell the story of the African civilisation of Ife, ancestors of the Yoruba, one of the largest ethnic groups of modern day Nigeria. The exhibition has previously been on view in the USA, Great Britain and Spain.
African Masters - Art from the Ivory Coast
Starting point of the exhibition is the general consensus among art historians today that in the so-called primitive societies individual masters created unique works of the highest quality. Approximately 180 masks, figures and everyday objects from Ivory Coast and neighbouring countries, created by exceptionally talented artists working in a wide range of fields, sheds new light on the role of the artist in African society. The exhibition sets out to place these outstanding works in an art historical context that is comparable to that of our great masters, from Michelangelo to Picasso.
Embodied Reflections - photographs by African artists
Fotografie heeft zich in de afgelopen decennia in Afrika tot een krachtig medium ontwikkeld. Een steeds grotere goep jonge fotografen gebruikt de camera voor het tonen van sterk ontwikkelde visies op het continent die ver voorbijgaan aan de stereotype beeldvorming van culturen en koloniale verhalen. De mondiale belangstelling voor de snelle ontwikkeling van deze vorm van fotografie is groot. Met plezier laat Sanaa een overzicht zien van (recent) fotowerk van zes Afrikaanse kunstenaars: Myriam Mihindou, Michael Tsegaye, Anannias Leki Dago, Uche Okpa Iroha, Leonce Raphael Agbodjelou, Mario Macilau.
Mufuki - Solo Exhibition
Mufuki Mukuna studied monumental painting at the Royal Academy of Fine Arts in Brussels. His work concentrates on exploring relentlessly the boundaries of figurative painting. In each of his paintings, Mufuki invites us to witness clashes, changes of life or attitudes boiled down to simply "human behaviour" with dark shades or a night time feel inspired by Motion Pictures, urban environments, Occidental or African elements. An abundance of images that highlight the loneliness human beings are often subjet to. A spiritual, raw and lively approach to painting, sometimes painful or even fascinating.
The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists
On three floors, one each devoted to heaven, hell and purgatory, works of over 50 artists from all over Africa in a variety of media are presented: paintings, photographs, sculptures, videos, installations and performances. Against the background of the many Africa-related exhibitions of the past years, the MMK perceives the need to investigate the significance of African art not only in the post-colonial context but also with regard to aesthetics. The exhibition concept transports the universal issues of the Divine Comedy, an incunable of European literature, into the present and places them in a transnational contemporary context.
The Needle and the Damage Done - prints by Diane Victor
For Diane Victor, making art ‘provides a way of working through troublesome images that lodge themselves persistently in her memory.’ The process is cathartic. The visual equivalent of psychoanalytic ‘talking cure’, Victor draws her subject matter from far and wide, pulling information from the media and personal encounters, transforming them into rich and heavily populated compositions, full-blown narratives employing her grotesque and characteristic iconography. In this exhibition, one sees Victor still pre-occupied with ‘the big “catholic” sins – greed, lust, envy and excess.
Vrouwen van het water - foto's van Angèle Etoundi Essamba
In deze tentoonstelling nemen we u mee naar Ganvié, een vissersdorp aan de zuidkust van het West-Afrikaanse land Benin. Kenmerkend voor het dorp zijn de woningen op palen, zwevend boven het water van een lagune, het meer van Nokoué. Fotografe Angèle Etoundi Essamba (Cameroun) bezocht Ganvié de afgelopen jaren meerdere keren, ging in gesprek met de vrouwen en volgde hen in het ritme van hun dagelijks leven, waarin water zo’n cruciale rol speelt. Want terwijl de bewoners, de Toffinou, volledig omringd worden door water, is drinkwater schaars. De vrouwen spelen een belangrijke rol in het watermanagement, beheren de grote vaten met drinkwater en zijn uiterst zuinig in het gebruik ervan.