Vrijdag 30 September 2011
1910-2010: From Pierneef to Gugulective
Selection of work charting the scope of artistic production in South Africa over the last century. Modern gems and rare treasures by Gerard Sekoto, Irma Stern, George Pemba, Maggie Laubser, Gerard Bhengu, JH Pierneef, Durant Sihlali, Dumile Feni & others.
African Mosaic: Celebrating a Decade of Collecting
Showcases museum purchases and gifts and provides a glimpse into collecting opportunities for art museums. Centerpiece: a towering and visually striking sculpture of Haitian leader Toussaint Louverture by contemporary Senegalese artist Ousmane Sow.
Geheime relaties, oude en nieuwe kunst verbonden
De tentoonstelling toont hedendaagse kunst uit Afrika en de Afrikaanse diaspora samen met objecten uit de collectie traditionele kunst. Deze oude & nieuwe kunstobjecten vinden hun relatie in de Afrikaanse gebruiken of rituelen waaraan ze gerelateerd zijn.
Dynasty and Divinity: Ife in Ancient Nigeria
More than 100 extraordinary sculptures, dating from the 12th to the 15th century. Artists at Ife, the ancient Yoruba city state, created a unique sculptural corpus which ranks among the world's most aesthetically striking and technically sophisticated.
Artists in Dialogue II
The exhibition Artists in Dialogue: Sandile Zulu and Henrique Oliveira is the second in a series of exhibitions in which exciting artists (at least one of whom is African) are invited to a new encounter -- one in which each artist responds to the work of the other, and resulting in original, site-specific works at the museum.
JOHAN - Made by Vlisco
Sinds 1846 produceert Vlisco kleurrijke stoffen die vooral worden geëxporteerd naar West en Centraal Afrika. Johan Jacobs (1881-1955) was ruim 50 jaar chef tekenkamer bij Vlisco. Hij liet zich - volgens de Art Nouveau traditie - inspireren door dier- en bloemmotieven. In de tentoonstelling JOHAN - Made by Vlisco is een selectie van de ruime collectie stofontwerpen en tekeningen van zijn hand te zien.
Blueprints of Paradise
Een tentoonstelling - ism African Architecture Matters - over architectuur en de snelle veranderingen die het Afrikaanse continent ondergaan. Na aanleiding van een competitie onder Afrikaanse kunstenaars en architecten over de vraag hoe westerse musea hedendaags Afrika zouden moeten representeren, zijn werken geselecteerd die op deze tentoonstelling zijn te zien.
ARS 11 - Africa in Comtemporary Art
Exhibition investigates Africa in contemporary art. In addition to artists living in Africa, the show also features others who live outside the continent, artists of African descent as well as Western artists who address African issues in their work. Some 300 works by a total of 30 artists. The exhibition aims to extend the idea of what Africa, contemporary art and African contemporary art are today.
Interlaced - Berni Searle
Het werk van videokunstenares Berni Searle (1964, Kaapstad) is een kritische onderzoek naar de constructie van identiteit, een ontrafeling van de manier waarop het lichaam wordt ‘betekend’ door afkomst en omgeving. Searl verleidt met beelden die betoverend en tegelijkertijd ongemakkelijk zijn.
Ouder worden in Mutare
Deze tentoonstelling vertelt het verhaal en laat indringende foto's zien van ouderen in het zorgcentrum Zororai en hun caregivers (thuiszorgers) het Home Based Care Project. In Afrika is zorg van buiten de familie ongebruikelijk, maar door de Aids-problematiek is het voor veel families te zwaar om dit op zich te nemen. In het kader van de campagne 100 Faces.
Substantial African Participation at 54th Biennal
This year the Venice Biennal has national participations from the DR Congo, Egypt, South Africa and Zimbabwe, while Mohamed Bourouissa (Algeria), Latífa Echakhch (Morocco) and David Goldblatt and Nicholas Hlobo (South Africa) have been selected for the main exhibiition, Illuminations.
Appropriated Landscapes - 14 artists
Mainly artists from Southern Africa. Explores landscape typologies in South Africa, Namibia, Angola, and Mozambique. The concept of landscape here is not linked to historical notions of the picturesque and the sublime. Instead, the exhibition considers landscape as a prism of experience, a reflection of ideology, and a stage for the performance and perception of identity.
Contested Terrains
Exhibition of recent work by four contemporary artists working in Africa, co-curated by Tate and the Centre for Contemporary Art, Lagos. These artists look at Africa's past and present, exploring current political and social concerns both at a domestic level and across the world. Work by Adolphus Opara (Nigeria), Michael MacGarry (South Africa), Sammy Baloji (DR Congo) and Kader Attia (France). At the Level 2 Gallery.
El Anatsui - When I Last Wrote to You about Africa
Brings together the full range of the artist’s work, from wood trays referring to traditional symbols of the Akan people of Ghana; to early ceramics from the artist’s Broken Pots series, driftwood assemblages that refer to the trans-Atlantic slave trade, and wooden sculptures carved with a chainsaw; to the luminous metal wall-hangings of recent years.
Moeders in Congo - Moederschap voor de lens
Een expo over moederschap in drie delen. Professionele foto's van Lieve Blancquaert, gemaakt in de regio Kasongo Lunda en geflankeerd door verhalen van gefotografeerde vrouwen, persoonlijke foto's van Memisa-medewerkers in Congo en historische foto's van het Instituut voor Tropische Geneeskunde uit de jaren dertig en vijftig.
People Apart: Cape Town Survey 1952. Photographs by Bryan Heseltine
This striking collection of photographs, exhibited here for the first time in more than fifty years, offers a glimpse into the lives of South Africans who would feel the full force of apartheid through the 1950s and beyond. The images were made in the late 1940s and early 1950s and provide a rich and intimate description of life in a number of townships and areas of the city: Windermere, the Bo-Kaap, District Six, Langa and Nyanga.
Mbongeni Buthelezi - maNyauza: Silent messages to my Mother
Mid-career retrospective. Mbongeni Buthelezi's chosen medium is the humble plastic shopping bag, which he melts and collages to build his pictures. The hype machine argues that this allows Buthelezi's work to participate in debates about conservation, although in reality he contributes but a superficial commentary on consumer society. Expect instead conservative imagery (sentimental portraits, township scenes) rendered in an essentially gimmicky style.
Fotoquai 2011
Na het grote succes van voorgaande edities wordt voor de derde keer de biënnale van de wereldfotografie georganiseerd. Fotoquai 2011 presenteert 400 foto's van 46 hedendaagse fotografen uit alle windhoeken. Afrika is ruim vertegenwoordigd met foto's van Mack Magagane, Christian Tundula, Michael Tsegaye, Andrew Esiebo, Mwanzo Milinga, Sameer Kermalli en Helène Amouzou.
Uncensored
In juli 2012 sluit het museum voor een grondige renovatie. Deze tentoonstelling biedt de bezoeker een uniek kijkje achter de schermen. In een parcours met 30 stops wordt antwoord gegeven op uiteenlopende vragen, zoals wat doet een indiaan nu in een museum over Afrika? De stops presenteren markante feiten uit de geschiedenis van het museum en werpt tevens een licht op de toekomstplannen.
La Robe Envolée - traces of transition
Zeven aansprekende video', vele spannende foto's, aangevuld met tekeningen en keramiek belichten het oeuvre van Myriam Mihindou (Gabon/Frankrijk). Haar eerste solo-expositie belooft veel goeds. De tentoonstelling gaat gepaard met een door Daphne Pappers verzorgde lezingenreeks. Meer informatie op de website.
Van Kaya naar Musha - Volkshuisvesting en wijkopbouw in Mutare
Vele aspecten van volkswoningbouw in Mutare komen aan de orde: de worsteling, de ontwikkeling, de organisaties, de verandering. Van de persoonlijke schaal van zelf je huis bouwen tot stadsplanning en infrastructuur. De moeite die het kost om iets tot stand te brengen, maar die moeite maakt dat het ook van de mensen zelf wordt en dat ze er zich voor inzetten.
Mickaël Bethe-Selassie & Ndikhumbule Ngqinambi
De sculpturen van Mickaël Bethe-Selassie (Ethiopië) zijn gemaakt van papier-maché. Hij bevestigt kippegaas op een houten ondergrond en van daaruit ‘boetseert’ hij, haast organisch, zijn wezens. Ndikhumbule Ngqinambi (Zuid-Afrika) is erg bezig met zijn identiteit. Een man afkomstig uit de Xhosa cultuur die in de ‘wereldse’ stad zijn weg moet zien te vinden.
The Global Contemporary: Art Worlds After 1989
Exhibition aims to demonstrate how globalization, with its dominant market mechanisms on the one hand, and its utopias of connectivity and liberalness on the other, influences the different spheres of art production and reception. Apart from the large number of African participants, there are also noteworthy projects on Africa by artists from other continents.
Tracey Rose: Waiting for God
Spanning over 15 years of work, the show examines Tracey Rose's unique and complex visual language and her performance-based practice represented through her photographs and video work. Rose belongs to a generation of artists charged with reinventing the artistic gesture in post-apartheid South Africa. Within this fold, she has defined a provocative visual world, refusing to simplify reality for the sake of clarity.
Paul Edmunds - Pitch
Shows a collection of abstract pencil drawings and a sculpture. Edmunds (South Africa) uses line or edge to explore visual correspondents for music and its constituent parts resulting in intricate labyrinthine abstractions that relate to pitch, tone, timbre and stereo.
Horse - Multiple Views of a Singular Beast
Work from 60 artists from across South Africa. The arists were invited to entertain the idea “horse” and the request initiated a rich variety of responses. The exhibition is both an expression and a celebration of diversity – horse as partner, horseas victim, horse as power, horse as property, horse as sexuality. Horse on paper,on film, on canvas, in sound, in light and in performance.
Transvaalse verhalen
Aan de expositie werken acht Zuid-Afrikaanse kunstenaars mee. Organisatoren zijn de Nederlander Dennis van Huisum en de Zuid-Afrikaan Godfrey Hill, die met hun Gallerie Transvaal Art jonge Zuid-Afrikaanse kunstenaars de mogelijkheid willen geven hun werk internationaal bekend te stellen
4th Mannheim Fotofestival: The Eye is a Lonely Hunter - Images of Humankind
Focuses on the role of photography as it bears witness to the human condition at the dawn of the second decade of the 21st century. African participation: Boniface Mwangi (Kenya), Roger Ballen, Hasan & Husain Essop, Pieter Hugo, Guy Tillim (South Africa).
Photography: New Documentary Forms - Guy Tillim
Explores the ways in which five contemporary artists have used the camera to explore, extend and question the power of photography as a documentary medium. Includes work by Luc Delahaye, Mitch Epstein, Guy Tillim (South Africa) and Akram Zaatari, as well as two important earlier works by Boris Mikhailov.
Wrecking at Private Siding 661 - Bridget Baker
Site-specific installation sees Bridget Baker working with personal and historical elements relating to the immigration of British settlers to East London, South Africa. The work acknowledges the silent evidence of the many ships that were wrecked along its coast, as well as evidence of the demise of her father and grandfather's work in the wool and hide industry in that town.
Southern Panoramas: Gregg Smith at 17th International Contemporary Art Festival SESC-Videobrasil
Featuring video, performances, installations, objects, publications, paintings, photography and other artistic forms, 'Southern Panoramas' aims to create a key role for artistic output from various regions throughout the geopolitical south. This edition’s participants, including South African Gregg Smith, were chosen from 1,295 submissions, the largest number ever received by the Festival.
17th International Contemporary Art Festival SESC-Videobrasil
Hand Held: Personal Arts from Africa
Spanning 21 countries across the African continent, this exhibition brings together objects used in daily life that blend beauty and utility—several on view for the first time. This display is of more than 80 objects from the late 19th- and early 20th-century. A selection of videos and photographs will also be on display to show how the objects were created and used.
Central Nigeria Unmasked
Unfolding as a spectacular journey up the Benue River, Central Nigeria Unmasked introduces major artistic genres and styles associated with more than twenty-five ethnic groups living along the river's Lower, Middle, and Upper reaches. These diverse and remarkable artworks include sculptural forms in wood, ceramic, and metal.