Dinsdag 26 Februari 2013

Gastvrouw deze avond is Ena Jansen. Bij het onderzoek naar zijn stamboom, dat in eerste instantie naar voorvader Cornelis Brink leidde, stuitte André Brink op het slavenmeisje Philida. Zij was als breistertje in dienst op Zandvliet, het wijnlandgoed van Cornelis Brink in de Kaapprovincie. Het boek begint als de dappere Philida bij het gerechtshof in de Kaap aangifte doet tegen Cornelis’ zoon Frans, die ze ervan beschuldigt vier kinderen bij haar verwekt te hebben. Aanmelden: 020-6249318 of bibliotheek@zuidafrikahuis.nl

zuidafrikahuis athenaeum

Every last saturday of the month. Hosted by DJ Seliko: Coupe Decalle, Zouk Waarba, Soukous, M’Balax, N’dombolo. Meer info: zoromes@hotmail.com of 06-14922491.

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This legendary band was formed in the late 1960's by guitarist Mamady "Djelike" Kouyate and singer Emile Soumah. They made some of the most beloved music of their generation. Now based in New York, Mamady Kouyate has decided to revive The Ambassadors. Every Wednesday night.

barbes mandingo ambassadors at my space

Check the website for more information

fespaco

Acclaimed for his work in animated film, visual art, theater, and opera, William Kentridge had his first survey exhibition in the United States in 2001 at MCA Chicago. From this exhibition, the MCA acquired more than a dozen drawings and two of his best-known films: Felix in Exile (1994) and History of the Main Complaint (1996), both of which will be on view. The drawings featured in the exhibition are those used to make this latter film—charcoal sketches that Kentridge erased and reworked to create the memorable segments that depict his alter egos and their struggles in late and post-apartheid Johannesburg: Felix Teitlebaum, the romantic artist who is always shown nude, and Soho Eckstein, the self-absorbed, wealthy mine owner and land developer who always wears a pinstriped suit.

mcachicago

Het Tropenmuseum brengt een ode aan zijn eigen verzamelingen met de tentoonstelling Onverwachte ontmoetingen. Verborgen verhalen uit eigen collectie.
Een Afrikaans krachtbeeld ontmoet een Apple computer en een kunstwerk met portretten van Marlene Dumas een Duitse staalkaart met veertig verschillende oogkleuren.

tropenmuseum

Vorig jaar overdonderde Fatoumata Diawara met haar debuutalbum ‘Fatou’, schitterde ze met haar sensuele stem en eigen composities in ‘Later with Jools’ en stond ze wekenlang nummer 1 in de World Music Charts, een hitlijst samengesteld door radiomakers uit heel Europa. In haar nog korte carrière werkte ze ook nog eens samen met grootheden als Oumou Sangaré, Youssou N’dour en Herbie Hancock.

myspace-fatoumatadiawara lantarenvenster melkweg

Zita Swoon Group is touring again. "The sound is a mixture of raw acoustic blues and folk and the traditional ‘mandigue’ music from West-Africa. The songs deal with the moral and the problems of modern African society".

zitaswoon crammeddiscs

In 2011 reisde fotograaf Mario Marino (Oostenrijk, 1967) naar de Omo vallei in Zuid-Ethiopië, nabij de grens tussen Kenya en Sudan. Zijn ontmoetingen op straat en op de markt resulteerde in een indrukwekkende serie portretten van mensen die behoren tot zeven kleine bevolkingsgroepen: Surma, Karo, Hamar, Borena-Oromo, Tsimaw, Mursi en Erbore. Zelfbewust en trots op hun culturele eigenheid poseerden tientallen mensen voor hem. Uit de lichaamsbeschilderingen, littekentatoeages en sieraden blijkt dat men traditionele opvattingen over schoonheid en identiteit nog steeds belangrijk vindt.

afrikamuseum

Beeldhouwer en kunstenaar Josiah Onodome Onemu (1945) is afkomstig uit Nigeria. Hij woont en werkt al tientallen jaren in Nederland. Deze expositie toont een overzicht van zijn brede oeuvre, waarvan een deel in beheer is van het Afrika Museum en een deel bestaat uit de privé-collectie van de kunstenaar. Vruchtbaarheid, het samenspel van tegendelen, lijden en wanhoop, hoop en beloftes, verandering en afscheid – de grote thema’s van het leven worden in het werk van Josiah Onemu nu eens sober, tot de essentie gereduceerd, dan weer verhalend in beeld gebracht. Hoe verschillend de uitwerking ook kan zijn, het onderwerp heeft altijd betrekking op mens en maatschappij.

afrikamuseum

Teresa is een alleenstaande, middelbare Oostenrijkse huisvrouw die op strandvakantie naar Kenia gaat. Of ze wist wat ze daar zou aantreffen laat de film in het midden, maar voor ze het weet is Teresa omringd door 'beach boys'. Die haar spulletjes proberen te verkopen, excursies, en bovenal zichzelf. De kracht van Paradies: Liebe is dat Seidl geen daders of slachtoffers aanwijst. Teresa gebruikt de 'beach boys' en die gebruiken op hun beurt Teresa. In Seidls universum is iedereen slachtoffer én dader. Eerste in de Paradies-trilogie. Andere delen: Glaube en Hoffnung.

cinema.nl

Schrijver en theatermaker Peter Verhelst maakt een monoloog met elk van de acteurs van het sterrenensemble van NTGent. Na Nero met Wim Opbrouck is het de beurt aan Oscar Van Rompay, die naast zijn theaterwerk meehelpt een bedrijf draaiende te houden in Kenia. Ieder jaar reist hij voor enkele maanden naar het land. In 2012 gaat Verhelst met hem mee. Africa wordt een confrontatie tussen het beeldende, mythische theater van Verhelst en de dagelijkse werkelijkheid en idealen van Van Rompay. Hoe kun je iets zinnigs vertellen over je eigen verlangen?

ntgent

Deze show is een kleurrijke mix van het spetterende muziek- en dansleven dat Zuid-Afrika rijk is; van traditionele Gospel tot African house, gebracht door een topcast van vijftien zangers dansers, acteurs en musici.

ikusasa

In een dorpje in Afrika vertelt een oude grootvader een reeks nieuwe verhalen over de held Kirikou. Hij heeft nog veel mooie herinneringen uit zijn kindertijd, zoals de momenten waarop Kirikou de mannen en de vrouwen van zijn dorp hielp. Zo vertelt de oude grootvader ons hoe Kirikou door zijn moed en intelligentie de forse vrouw te hulp schoot wiens dak was vernietigd door de boze heks Karaba. En over hoe Kirikou de mopperende dorpsoudste terugvond die verdwaald was op de savanne en over de Afrikaanse vertelster die bedreigd werd door de tovenares.

cinema.nl  kirikou filmladder

The musical merger of Habib Koité (Mali) and Eric Bibb (USA) brings together two soulful histories into a never-before heard guitar sound that is passionate and ebullient. Growing up in Mali, West Africa, Koité is heir to an ancestral knowledge set to song that places him among the most influential voices of contemporary Africa, while Bibb's lineage in the traditional blues sound has produced an earthy mix of folk and gospel dating back to the work songs of the deep south. Forging a bridge across the Atlantic, Bibb and Koité are two talents too exhilarating to ignore.

ericbibb habibkoite

The musical merger of Habib Koité (Mali) and Eric Bibb (USA) brings together two soulful histories into a never-before heard guitar sound that is passionate and ebullient. Growing up in Mali, West Africa, Koité is heir to an ancestral knowledge set to song that places him among the most influential voices of contemporary Africa, while Bibb's lineage in the traditional blues sound has produced an earthy mix of folk and gospel dating back to the work songs of the deep south. Forging a bridge across the Atlantic, Bibb and Koité are two talents too exhilarating to ignore.

ericbibb habibkoite

Brings together the full range of the artist’s work, from wood trays referring to traditional symbols of the Akan people of Ghana; to early ceramics from the artist’s Broken Pots series, driftwood assemblages that refer to the trans-Atlantic slave trade, and wooden sculptures carved with a chainsaw; to the luminous metal wall-hangings of recent years.

umma-umich africanart

Goodman’s multimedia works explore issues of female identity by marrying the glittering allure of cars with that of women as symbols of desire, sex, success and promise. Many of the pieces on this materially-diverse exhibition are intentionally contradictory: seductive and poignant, yet simultaneously awkward and problematic. The body of work includes sculptural pieces constructed from car parts and feminine accessories, as well as Goodman’s provocative photographic Vajazzling series. The latter was initiated during a residency in New York in 2012 and documents the adornment of various female torsos in a response to the commodification of the female body and its use in the media.

whatiftheworld

inception, inclosure, information, interpolation, interpretation, introspection, intuition, invention, investigation - an exhibition of work by recent graduates from the Michaelis School of Fine Art, the Ruth Prowse School of Art and the University of Stellenbosch. The exhibition focuses on a selection of young artists producing work through intuitive, process-driven or experimental means of production. Works are not necessarily undertaken with a clear endpoint in mind, rather they tend towards evolving dynamically through a testing of outcomes.

brundyngonsalves

"Being productive is overtly optimistic. The numbers don't lie. Composition is a trick. Selective control is the right of every citizen. The people should have delicacy. The people should have access to the subtle and the sublime, as a matter of principle." Jaco van Schalkwyk received his BFA in Drawing from the Pratt Institute, New York in 2003. With Carl Hancock Rux, he developed Rux's Mycenaean as Visiting Artist at the department of Theater, CalArts in 2005 and 2006, culminating in an engagement as part of the Next Wave Festival at the Brooklyn Academy of Music in 2006. He returned to South Africa, and to drawing, in 2008.

blankprojects

is a small group of works in between painting and sculpture, with slightly dishonest ambitions towards the performing arts, and actively jealous of  the written or spoken. :(  Picture it  :) Gerda Scheepers was born in 1979 in Tzaneen, South Africa and lives and works in Berlin. She graduated from the Dusseldorf Art Academy in 2005 and won the Art Cologne Pries fuer junge Kunst in 2006. Her solo exhibition Low and partial. Romantic Comedy has just opened at Kunstverein Nuremberg, Germany.

blankprojects

Stef Bos toert begin 2013 met een titelloos  programma en een band door Zuid-Afrika. Het vertrekpunt van de voorstelling was dit beeld van de  jonge  Zuid-Afrikaanse schilder Christiaan Conradie. Het  vervolg was een verzameling van veel nieuwe woorden en muziek die samen met oudere nummers de verbeelding en de verwondering ruim baan willen geven. Verder geen woorden meer over wat er gaat gebeuren op het  podium….. dit beeld vertelt alles.

stefbos

It's not every day that a housewife looks around her kitchen and sees her utensils as objects of art. But Usha Seejarim is no ordinary housewife. The artist from Bethal, a small town in Mpumalanga, says that "as a home-maker/housewife/mother of two, and an artist", she is fascinated by her everyday chores. When she is in the kitchen, her spoons, forks, knives and plates become art objects. In her latest exhibition, Seejarim takes a closer look at the places and the objects in her immediate surrounds, and the roles she assumes when she is around these objects.

joburgculture joburgculture-jag

Siemon Allen’s Labels is a large architectural installation displayed in the museum’s Music Room. This visual memorial to South Africa’s rich musical past features 5000 photographs of record labels inserted into a suspended clear plastic curtain. The site-responsive installation has been configured to converse with part of the museum’s collection of historical artifacts and meanders through the space amongst the musical instruments and clocks, to form a number of intimate accessible enclosures. The exhibition is a historical record, a chronological discography of select labels from Allen's archive.

iziko

In South Africa, the landscape has unavoidable political connotations because the country's strife is entwined with the ownership of the land - a situation that continues to this day. These issues have dominated depictions of the landscape in recent years, with formal concerns understandably of secondary concern. While remaining aware of the polemics of land, Kannemeyer is selecting works for the exhibition that challenge perceptions of the landscape, rather than issues identified with the land or 'clever conceptual plays'. It is unexpected interpretations of one of the most traditional genres in the history of art that resonate most strongly with him.

stevenson

Moshekwa Langa is an artist and visual anthropologist who works with installation, drawing, video and sculpture. Drawing has been an extended practice for Langa, incorporating elements of graffiti, thread, yarn and other materials. After studying and living in Amsterdam for several years he returned to South Africa – to spend time with his family, but also to confront certain aspects of his youth and the unfamiliar state of his hometown. Langa cites daily life, routine, boredom, indifference and passion among his influences and inspirations. His work documents the rituals of sangomas, grieving, gossip and love.

goodman-gallery

'Terugkoms van Cythera' shows a shift away from Louw’s socio-historic themes and a move towards a more enigmatic, introspective and psychological exploration. Referencing The Embarkation for Cythera (L'Embarquement pour Cythère) (1717) by French Rococo painter Jean-Antoine Watteau, the exhibition serves as an interesting antithesis to the precious celebration of life and love at the birthplace of Venus portrayed in the original painting.

smacgallery

Explores the ways in which contemporary artists based in South Africa and China engage with new paths of movement, with economic and cultural shifts, and with the rise of new regimes, new leaders and new social and urban spaces. The exhibition includes works in diverse media by internationally acclaimed Chinese artists, Wu Junyong, Chen Qiulin, Maleonn and Qin Ga  and local artists Lebogang Rasethaba, Gerald Machona, Michael MacGarry and James Webb.

standardbankarts

Kendell Geers, born in 1968 in South Africa, uses various media such as installation, drawing, video, performance, and photography. His life and work can be divided into two decade-long periods whose trajectories and developments are explored in this exhibition. The first political phase runs from 1988 to 2000, during which time the artist, a white South African, explored the moral and ethical contradictions of the apartheid system through his practice. Initiated by his move to Brussels in 2000, his later European period is now characterized by a more poetic aesthetic. Here, Geers transferred his incendiary practice into a postcolonial and increasingly global context, suggesting more universal themes like terrorism, spirituality, and mortality.

hausderkunst

Through inventively re-edited interviews, fan performances and montaged cinema sequences, Breitz's works present a new take on contemporary portraiture by creating innovative narratives to probe and analyse individual experience. A major part of the exhibition will be the inclusion of The Woods, a new work making its international debut. Co-commissioned with the Peabody Essex Museum, Breitz's new trilogy focuses on child performers and the performance of childhood to probe aspirations and promises embedded in mainstream cinema.

acmi

Music as an expression of national identity is a common theme on stamps. That was also the case with the stamps of the previous Music-on-African-stamps exhibition. However, the stamps of the present exhibition show a very different picture, which has nothing to do with national identity: European composers and western “heroes of popular music”. Stamps showing European composers like Ludwig van Beethoven, Igor Strawinsky, Johann Sebastiaan Bach,  Georg Friedrich Händel, Wolfgang Amadeus Mozart, black music heroes like Louis Armstrong, Billy Holiday, Muddy Waters, Mahalia Jackson, Lionel Hampton and Jimmy Hendrix and white music heroes like Elvis Presley, The Beatles, Jerry Garcia, Janis Joplin and Bob Dylan.

ascleiden

Award-winning photographer Jodi Bieber explores the twilight that she experienced in the decade following the advent of democracy in South Africa. The show is a selection of work from 1993 to 2004, primarily revealing Bieber’s more rarely shown independent series, as well as some of her earlier work as a press photographer.

museum-goch goodman-gallery