Agenda 10 - 16 Maart 2019

Where does the boundary between yourself and the other lie? How should you deal with problems while not losing yourself in the process? The dance performance Du désir d’horizons by choreographer Salia Sanou from Burkina Faso, one of the most influential artists in contemporary African dance, revolves around these questions. Sanou sought inspiration in the experiences he had during workshops he gave to refugees in his home country Burkina Faso (West Africa), although he says the performance should not be seen as documenting life in refugee camps. Instead, Sanou has six dancers, a narrator and two young refugees tell ‘stories’ about universal themes, which should also be familiar to non-refugees: loneliness, the individual versus the collective and the desire for freedom. In Amsterdam, Utrecht en Rotterdam

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Where does the boundary between yourself and the other lie? How should you deal with problems while not losing yourself in the process? The dance performance Du désir d’horizons by choreographer Salia Sanou from Burkina Faso, one of the most influential artists in contemporary African dance, revolves around these questions. Sanou sought inspiration in the experiences he had during workshops he gave to refugees in his home country Burkina Faso (West Africa), although he says the performance should not be seen as documenting life in refugee camps. Instead, Sanou has six dancers, a narrator and two young refugees tell ‘stories’ about universal themes, which should also be familiar to non-refugees: loneliness, the individual versus the collective and the desire for freedom. In Amsterdam, Utrecht en Rotterdam

explorefestival-dudesir

Where does the boundary between yourself and the other lie? How should you deal with problems while not losing yourself in the process? The dance performance Du désir d’horizons by choreographer Salia Sanou from Burkina Faso, one of the most influential artists in contemporary African dance, revolves around these questions. Sanou sought inspiration in the experiences he had during workshops he gave to refugees in his home country Burkina Faso (West Africa), although he says the performance should not be seen as documenting life in refugee camps. Instead, Sanou has six dancers, a narrator and two young refugees tell ‘stories’ about universal themes, which should also be familiar to non-refugees: loneliness, the individual versus the collective and the desire for freedom. In Amsterdam, Utrecht en Rotterdam

explorefestival-dudesir

Where does the boundary between yourself and the other lie? How should you deal with problems while not losing yourself in the process? The dance performance Du désir d’horizons by choreographer Salia Sanou from Burkina Faso, one of the most influential artists in contemporary African dance, revolves around these questions. Sanou sought inspiration in the experiences he had during workshops he gave to refugees in his home country Burkina Faso (West Africa), although he says the performance should not be seen as documenting life in refugee camps. Instead, Sanou has six dancers, a narrator and two young refugees tell ‘stories’ about universal themes, which should also be familiar to non-refugees: loneliness, the individual versus the collective and the desire for freedom. In Amsterdam, Utrecht en Rotterdam

explorefestival-dudesir

In this piece we explore through dance, traces of the history of Germaine Acogny and Africa through the prism of tragedy. It is a dialogue with issues of archaic background, a vessel full of associations loaded with content of our time. Taking this matter as a projection surface, enables us with this work to enter differently into the questionings and sufferings of our time. It was a great challenge to be able to offer on stage a strong and uncompromising dialogue between contemporary Africa and the ancient tragic world. In Groningen, Amsterdam, Den Haag, Breda, Utrecht, Heerlen en Rotterdam

explorefestival-acogny

Where does the boundary between yourself and the other lie? How should you deal with problems while not losing yourself in the process? The dance performance Du désir d’horizons by choreographer Salia Sanou from Burkina Faso, one of the most influential artists in contemporary African dance, revolves around these questions. Sanou sought inspiration in the experiences he had during workshops he gave to refugees in his home country Burkina Faso (West Africa), although he says the performance should not be seen as documenting life in refugee camps. Instead, Sanou has six dancers, a narrator and two young refugees tell ‘stories’ about universal themes, which should also be familiar to non-refugees: loneliness, the individual versus the collective and the desire for freedom. In Amsterdam, Utrecht en Rotterdam

explorefestival-dudesir

In this piece we explore through dance, traces of the history of Germaine Acogny and Africa through the prism of tragedy. It is a dialogue with issues of archaic background, a vessel full of associations loaded with content of our time. Taking this matter as a projection surface, enables us with this work to enter differently into the questionings and sufferings of our time. It was a great challenge to be able to offer on stage a strong and uncompromising dialogue between contemporary Africa and the ancient tragic world. In Groningen, Amsterdam, Den Haag, Breda, Utrecht, Heerlen en Rotterdam

explorefestival-acogny