Paul Edmunds - Tone

As Edmunds observes, many of us have a long and close relationship with music. From elements which are often non-narrative, mostly repetitive and largely abstract, we extract or assemble meaningful experience, repeatedly. In a series of pencil drawings, a linocut and two sculptures, Edmunds uses only line and its sculptural equivalent, edge, to explore visual correspondents for music and sound, and their constituent parts.

michaelstevenson